Pink Daisy

Pink Daisy; Macro

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Keys

Piano Keys

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eau de toilette

eau de toilette

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Fallen; First Snowflakes of New England Blizzard

I would have had to walk pretty far yesterday to capture the intensity of the storm, and given the strong winds and gallons of alcohol I had (for warmth of course), I opted to stay-in and keep my camera moisture-free this time instead.  You’ll have to excuse the poorly composed shot below — I was free-handing this macro and couldn’t capture the clarity of the cluster of snowflakes that I wanted while still keeping the individual flakes sharp.  Plus, I just took this while warming my car up and I really had no intention of actually having to rely on this for a shot-of-the-day….

Fallen; First Snowflakes of 2010 New England Blizzard

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Iris Diaphragm; Nikkor 35mm f/1.8

A lesson for the non-photographers out there: there are two main ways to adjust the exposure of a shot to ensure your image is neither too bright, nor too dark — shutter speed (length of exposure) and aperture (how much light is allowed through the lens).

The below picture is of the iris diaphragm on a Nikkor 35mm lens.  These are overlapping plates that will either fold in over each other (obviously decreasing the light passing through), or expand outwards (allowing more light) to change the size of the aperture.  This is essentially the mechanical equivalent of how the human eye’s iris works.

Iris Diaphragm; Nikkor 35mm f/1.8

Now, while aperture has more impact on an image than just how bright/dark it is, I’m going to refrain from confusing people by explaining how a large depth of field is produced with a small aperture stop, which is actually a large f-number and a narrow depth of field comes from a large aperture stop which is represented by a small f-number.

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